第44章 THE DANCING MANIA IN ITALY(7)

The persuasion of the inevitable consequences of being bitten by the tarantula, exercised a dominion over men's minds which even the healthiest and strongest could not shake off.So late as the middle of the sixteenth century, the celebrated Fracastoro found the robust bailiff of his landed estate groaning, and, with the aspect of a person in the extremity of despair, suffering the very agonies of death from a sting in the neck, inflicted by an insect which was believed to be a tarantula.He kindly administered without delay a potion of vinegar and Armenian bole, the great remedy of those days for the plague of all kinds of animal poisons, and the dying man was, as if by a miracle, restored to life and the power of speech.Now, since it is quite out of the question that the bole could have anything to do with the result in this case, notwithstanding Fracastoro's belief in its virtues, we can only account for the cure by supposing, that a confidence in so great a physician prevailed over this fatal disease of the imagination, which would otherwise have yielded to scarcely any other remedy except the tarantella.Ferdinando was acquainted with women who, for thirty years in succession, had overcome the attacks of this disorder by a renewal of their annual dance--so long did they maintain their belief in the yet undestroyed poison of the tarantula's bite, and so long did that mental affection continue to exist, after it had ceased to depend on any corporeal excitement.

Wherever we turn, we find that this morbid state of mind prevailed, and was so supported by the opinions of the age, that it needed only a stimulus in the bite of the tarantula, and the supposed certainty of its very disastrous consequences, to originate this violent nervous disorder.Even in Ferdinando's time there were many who altogether denied the poisonous effects of the tarantula's bite, whilst they considered the disorder, which annually set Italy in commotion, to be a melancholy depending on the imagination.They dearly expiated this scepticism, however, when they were led, with an inconsiderate hardihood, to test their opinions by experiment; for many of them became the subjects of severe tarantism, and even a distinguished prelate, Jo.Baptist Quinzato, Bishop of Foligno, having allowed himself, by way of a joke, to be bitten by a tarantula, could obtain a cure in no other way than by being, through the influence of the tarantella, compelled to dance.Others among the clergy, who wished to shut their ears against music, because they considered dancing derogatory to their station, fell into a dangerous state of illness by thus delaying the crisis of the malady, and were obliged at last to save themselves from a miserable death by submitting to the unwelcome but sole means of cure.Thus it appears that the age was so little favourable to freedom of thought, that even the most decided sceptics, incapable of guarding themselves against the recollection of what had been presented to the eye, were subdued by a poison, the powers of which they had ridiculed, and which was in itself inert in its effect.

SECT.5--HYSTERIA

Different characteristics of the morbidly excited vitality having been rendered prominent by tarantism in different individuals, it could not but happen that other derangements of the nerves would assume the form of this whenever circumstances favoured such a transition.This was more especially the case with hysteria, that proteiform and mutable disorder, in which the imaginations, the superstitions, and the follies of all ages have been evidently reflected.The "Carnevaletto delle Donne" appeared most opportunely for those who were hysterical.Their disease received from it, as it had at other times from other extraordinary customs, a peculiar direction; so that, whether bitten by the tarantula or not, they felt compelled to participate in the dances of those affected, and to make their appearance at this popular festival, where they had an opportunity of triumphantly exhibiting their sufferings.Let us here pause to consider the kind of life which the women in Italy led.Lonely, and deprived by cruel custom of social intercourse, that fairest of all enjoyments, they dragged on a miserable existence.Cheerfulness and an inclination to sensual pleasures passed into compulsory idleness, and, in many, into black despondency.Their imaginations became disordered--a pallid countenance and oppressed respiration bore testimony to their profound sufferings.How could they do otherwise, sunk as they were in such extreme misery, than seize the occasion to burst forth from their prisons and alleviate their miseries by taking part in the delights of music? Nor should we here pass unnoticed a circumstance which illustrates, in a remarkable degree, the psychological nature of hysterical sufferings, namely, that many chlorotic females, by joining the dancers at the Carnevaletto, were freed from their spasms and oppression of breathing for the whole year, although the corporeal cause of their malady was not removed.After such a result, no one could call their self-deception a mere imposture, and unconditionally condemn it as such.